This is a great benefit for workgroups and teams working on multiple workstations that aren’t all updated. This will allow you to open a project modified in After Effects CS5 and the effects will still work in CS5.5. You can now share your projects with other colleagues or clients who haven’t upgraded yet.Īnd while the effects (such as the Warp Stabilizer) will be disabled in After Effects CS5, the data is still retained.
Plays well with othersĪlthough After Effects CS5.5 is not completely backward-compatible, it is able to save a copy of your project as an After Effects CS5 project file. Hopefully Adobe will automatically include the lights to move along with the camera in future versions. However a workaround is to copy and paste the lights from your original 3D comp to both the left and right eye camera comps so your final stereo comp has the correct lighting and shadows. One thing I’ve noticed with the Stereo 3D Rig option is that all the lights and shadows seem to be lost in the final stereo comp. Light falloff can be adjusted on any light (except ambient) so lighting your scene now has a much richer and realistic result. Just like in the real world, not all light is a strong, constant beam that travels indefinitely and lands on everything in its path. After Effects CS5.5’s Light Faloff option allows better control of light in 3D compositions.
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